Traffic co-founder Dave Mason dies at 79

Dave Mason died April 19, according to his social media accounts. He was 79.

Entertainment Weekly Dave Mason performs in Chicago in 1980Credit: Paul Natkin/Getty

Key Points

  • The guitarist was a founding member of '60s British rock group Traffic, who were inducted into the Rock & Roll Hall of Fame in 2004.

  • Afterward, Mason embarked on a solo career in which he worked with artists including George Harrison, Jimi Hendrix, and the Rolling Stones.

Rocker Dave Mason, a Rock & Roll Hall of Fame member who co-founded British band Traffic in the '60s and went on to work as a solo artist with hits including 1977 song "We Just Disagree," has died. He was 79.

"It is with deep and profound sadness that we share the news of the passing of Dave Mason," posts on his officialFacebookandInstagrampages read late Tuesday. "On Sunday, April 19, after cooking an amazing dinner with his beloved wife Winifred, he sat down to take a nap with sweet Star (the maltese) at his feet. He passed away peacefully, in his favorite chair, surrounded by the beautiful Carson Valley that he loved so much. A storybook ending. On his own terms. Which is how he lived his life right up until the end."

"He leaves a lasting imprint on the soundtrack of our lives and the hearts he has lifted. His legacy will be cherished forever," the statement continued.

Mason was born on May 10, 1946, in Worcester, England, where he grew up singing in the choir, according toRolling Stone. He began playing guitar at 16.

By 1967, the guitarist formed Traffic with Steve Winwood, Jim Capaldi, and Chris Wood. The band took off in England the next year with the release songs such as "Hole in My Shoe," "Paper Sun," and "Here We Go Round the Mulberry Bush." Mason's "Feelin' Alright?" was memorably covered by Joe Cocker.

Mason left his band temporarily after feeling overwhelmed, according to the music magazine, but he returned before being fired.

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In his 2024 memoir,Only You Know & I Know, Mason recalled that Winwood had told him that he didn't like the way he sang, wrote, or played.

Even so, Traffic was inducted into the Rock & Roll Hall of Fame in 2004 by Dave Matthews.

"Traffic dove into the psychedelic rabbit hole of their own minds," the band'sHall of Fame tribute pagereads. "Beholden to no one but the music and their muse. With their nine minute songs and sudden hook appearances mid-song, Traffic broke all the rules."

After leaving the band in 1969, Mason went to the U.S, for a solo career.

The prolific artist played with artists such as Eric Clapton, George Harrison, Jimi Hendrix, Paul McCartney, the Rolling Stones, and Fleetwood Mac. He had three gold albums, per hiswebsite, and had written more than 100 songs.

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Traffic co-founder Dave Mason dies at 79

Dave Mason died April 19, according to his social media accounts. He was 79. Key Points The guitarist was a foundi...
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WASHINGTON – Midway through her liberating anthem“Dog Days Are Over,”Florence Welchaddressed her flock.

USA TODAY

“I want you toexperiencethe song,” she said, before mimicking how concertgoers watch through a phone lens to capture the perfect photo or video. “I don’t care about your shot right now. I care about your experience.”

The direction – which was visibly obeyed – is nothing new for repeat attendees ofWelch’s shows, who have endured the agony of a phone-free hand for two minutes. Instead, they blissfully bounced to Welch’s biggest commercial hit, excavating the emotions they’d absorbed for the past two hours.

Florence Welch unleashes her typical enthusiasm at the Chicago stop of Florence + The Machine's Everybody Scream tour in April 2026.

Welch’s desire for a shared experience came during the encore of the D.C. stop of Florence + The Machine’sEverybody Scream touron Saturday, April 18. But really, Welch’s entire show was about a communal encounter – whether rooted in pain, anger, joy or freedom – with the sold-out crowd of 14,000 at Capital One Arena.

From the moment she rose from beneath the stage floor, barefoot and with hands gracefully fluttering for the opening“Everybody Scream,”the catharsis that would occur during the next two hours was apparent.

A tornado in a sheer black lace overlay inspired by the Stevie Nicks Collection, this high priestess of baroque pop skipped down the catwalk, a bare leg peeking out from her billowy chiffon, to cast a spell during “Witch Dance.”

The majority of the set pulled from her darkly spiritual“Everybody Scream,”released on Halloween (natch), and 2022’s intoxicating“Dance Fever.”But Welch, who turns 40 in August, didn’t ignore highlights from her nearly 17-year career.

Florence Welch unleashed a torrent of emotions at the April 8 kickoff of Florence + The Machine's Everybody Scream tour in Minneapolis.

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Under her curtain of auburn bangs, Welch looked beatific as she urged the crowd to“Shake It Out.”She also kneeled to reach out and make eye contact with fans ringside as “Big God” lifted off in a cloud of crashing cymbals and pogoed incessantly during“Free,”a song that sounds like anxiety set to a chattering rhythm.

Welch’s voice is as unique as her music, thick with sadness one verse, airy and crystalline the next. Her vibrato commanded “Which Witch,” while the long-held note at the end of the harp-infused“Cosmic Love”was a master class in vocal control.

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Her healing vibe extended to her banter with the crowd. “Whatever you have been through, whatever you are going through, know that I am with you,” she said, her defined cheekbones topping a wide smile.

Welch’s four female dancers were as integral to the performance asher five-piece band(aka, The Machine). The dancers, clad in swishy black skirts, snarled as they crawled down the catwalk on all fours through clouds of dry ice for “Seven Devils.” For the second half of the show, they donned white ensembles for the emotionally exorcising “Howl,” scampering across the stage to lay at Welch’s feet like cubs sprinting to their she-wolf.

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The affection between Welch and her dancers was mutual, evidenced in the most wrenching moment of the show.

“I pray that I get through this next song,” she said. “I think every time it’s going to get easier. And I don’t know if it does.”

The song, “You Can Have it All,”references the miscarriage(a life-threatening ectopic pregnancy) Welch suffered in 2023.Watching her sing the piercing lyrics, "I sit in salt water, call in a vision of my daughter” and “Dug a hole in the garden and buried a scream,” was genuinely affecting, as was her group hug with her dancers at song’s end.

Florence Welch struts the runway at the Chicago show on the Everybody Scream tour in April 2026.

The sleek staging, highlighted by a moving lighting beam that ran the length of the catwalk and three overhead video screens that faced each side of the arena, benefited from frequently frantic lights that added more drama to Welch’s story songs.

She’s an emotional enchantress who makes an effort to sing into the crowd, not a void, and also takes time to literally walk the oval circumference of the stage to interact with her devotees. The set-closing“Sympathy Magic”offered a truly beautiful moment as Welch touched the hands of her predominantly female and frequently sobbing fans, often pulling them in for a hug.

Welch and The Machine kicked off this tour in the U.K. in February before landing in North America in early April. They’ll be on the roadthrough the end of summer, which equates to a consistent stream of introspection.

The level of intense feelings that anchor the show requires mental fortitude, yes, but also open-hearted candor. Luckily for her fans, Welch excels at both.

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Florence Welch proves an emotional enchantress on stage

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